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she's the one for me
2022 Graphic Design
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Haleigh Dixon Portfolio 2022
Home
Blog
Art
Creative Writing
Halloween Week Retrospective
Film and Media
Film Analysis
Media Analysis
Film Theory
Fashion and Beauty
Beauty
Fashion
Technology and Music
Music
Technology
Filmmaking
Projects
Photography
Have A Drink Series
Atlanta Photography
Nature Photography
Rain Photography
Ice Photography
Landscape Photography
Microscope Photography
The Zodiac Series
Before and After: Zodiac Series
Before and After: Portraits
Before and After: Landscape
Graphic Design
she's the one for me
2022 Graphic Design
The Flyleaf Triptychs
Psychology Infographics
Black Women in Film Infographics
Home
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Art
Creative Writing
Halloween Week Retrospective
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Film Analysis
Media Analysis
Film Theory
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Beauty
Fashion
Folder: Technology and Music
Back
Music
Technology
Folder: Filmmaking
Back
Projects
Folder: Photography
Back
Have A Drink Series
Atlanta Photography
Nature Photography
Rain Photography
Ice Photography
Landscape Photography
Microscope Photography
The Zodiac Series
Before and After: Zodiac Series
Before and After: Portraits
Before and After: Landscape
Folder: Graphic Design
Back
she's the one for me
2022 Graphic Design
The Flyleaf Triptychs
Psychology Infographics
Black Women in Film Infographics
Storytelling Through Costuming in Eve’s Bayou (1997)
costume analysis, womanhood, race Haleigh Dixon 12/17/24 costume analysis, womanhood, race Haleigh Dixon 12/17/24

Storytelling Through Costuming in Eve’s Bayou (1997)

David Bordwell identifies four stylistic functions of film: expressive, denotative, symbolic, and decorative. Each of these functions serves a purpose within the film.

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How Does “The Watermelon Woman” Use Reflexivity To Investigate Representation And Race?
race, womanhood, queer Haleigh Dixon 1/25/24 race, womanhood, queer Haleigh Dixon 1/25/24

How Does “The Watermelon Woman” Use Reflexivity To Investigate Representation And Race?

This analysis will examine how reflexivity is intentionally incorporated into the storytelling and camera movements, and its impact on the emotional authenticity of the narrative and the representation of Black women’s narratives.

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Fifty Shades Of The “New Woman”
womanhood, identity Haleigh Dixon 11/16/23 womanhood, identity Haleigh Dixon 11/16/23

Fifty Shades Of The “New Woman”

Anastasia’s character in Fifty Shades of Grey embodies the qualities of a modern woman in the 21st century, as discussed by Genz in the article.

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Explore a curated selection of articles, photography, artwork, films, and reviews at haleighdixon.com.

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