Storytelling Through Costuming in Eve’s Bayou (1997)
David Bordwell identifies four stylistic functions of film: expressive, denotative, symbolic, and decorative. Each of these functions serves a purpose within the film.
How Does “The Watermelon Woman” Use Reflexivity To Investigate Representation And Race?
This analysis will examine how reflexivity is intentionally incorporated into the storytelling and camera movements, and its impact on the emotional authenticity of the narrative and the representation of Black women’s narratives.
Fifty Shades Of The “New Woman”
Anastasia’s character in Fifty Shades of Grey embodies the qualities of a modern woman in the 21st century, as discussed by Genz in the article.