These churches, each in varying states of decay and grandeur, are not only physical locations but also represent emotional checkpoints that reflect the complexities of their evolving relationships.

David Bordwell identifies four stylistic functions of film: expressive, denotative, symbolic, and decorative. Each of these functions serves a purpose within the film.

This analysis will examine how reflexivity is intentionally incorporated into the storytelling and camera movements, and its impact on the emotional authenticity of the narrative and the representation of Black women’s narratives.

Anastasia’s character in Fifty Shades of Grey embodies the qualities of a modern woman in the 21st century, as discussed by Genz in the article.